I have been tagged by lovely and prolific writer and friend Alison Reynolds to share my writing process in the “Tagged” blog tour. A bit of a worry since, as a child, I was “Chris of the Scabby Knees”, more likely to fall over than tag anyone. So just as well email is faster than me at tagging.
Alison Reynolds is the author of the gorgeous A Year with Marmalade and The Littlest Bushranger picture books as well as the popular Ranger in Danger (choose your own adventure) series. And, “TA DA”, very, very soon a brand new Marmalade adventure. In fact, I’m excited to host Alison – next week – on her whirlwind blog tour to help launch A New Friend for Marmalade.
To find out more about Alison and more of her brilliant books you can visit her website at http://www.alisonreynolds.com.au.
What am I working on?
I am working on a YA historical novel set in convict Tasmania. It’s a bit scary saying that, because really it’s done and time to send it out into the world. That’s the hard part though, because a writer always fears – it might come back.
When writing my last two novels, both the main characters’ voices arrived strong and distinct. I hope this originality of voice will help set them apart from some other historical works. I write very much from story rather than the historical period I’m writing in. Of course, I want the details and history to be correct, but I don’t want to give my reader a history lesson. Detail is soon sacrificed if it ruins the moment or pace.
These days I write mostly historical fiction because it’s become an absolute passion for me and, as it turns out, it’s what I’ve always loved most to read. Starting with A Little Bush Maid by Mary Grant Bruce, back in the days when I could read all night by torchlight to get to the end of a book or crash to sleep trying. I get so lost in the research, learning about the different ways of doing day-to-day tasks, gutting and skinning rabbits, lighting a fire, dressing and talking, that sometimes I forget to write.
I love that I get to talk to so many interesting people from all over the world too, including an ex-Scottish coal miner, the owner of a French chateau, and an expert on antique weapons, discussing everything from botany to broomsticks, cockatoos to crinolines. Plus I’ve been fortunate to go to some truly amazing places. A lot of the time only in my mind, yes. But my research has taken me to Scotland, down a real coal mine, onto the battlefields and into towns in France still bearing the scars of WW1, and forced me to face some fears stepping nervously through tunnels deep under the city of Arras.
How does my writing process work?
My process varies depending on what I’m writing. For short titles, I tend to plot first and then write out the story. But for my historical novels, I found the settings first and then the main characters arrived. I always knew what the problem/conflict was to start, just not how my character would solve it. With a basic starting point, I wrote to find out how things turned out. Themes and subplots emerged later, through many hours of daydreaming, midnight musing and redrafting, as well as during the writing.
Until I really get to know a character, many thousands of words into the writing, I can’t know how they will react to different challenges or what decisions they might make. Sometimes they surprise me and their decisions can lead to a plot twist that I wasn’t planning on. I can write copious notes in notebooks, ideas and scenes, and possible scenarios for the story, yet when I look back, months later, it has all turned out so differently. The character/s I planned in my notebook never turn out the same as the one/s that come to life on the page.
It’s thrilling when a new character I hadn’t planned turns up. Shattering when one dies unexpectedly, yet rightly for the story. Sometimes things occur because they’re inevitable and no other way things could have worked out.
Then the editing process begins. Stuff gets chucked out, stuff gets rewritten and stuff gets added. So I guess my process is not systematic, though I’m always in control, even if I do have to wrench it back sometimes from my characters.
Now it’s my turn to tag. I’m out of breath, but have managed to catch up with three wonderful writers and friends.
Elizabeth Jane Corbett is a fellow writing group buddy and beautiful historical fiction writer. When she isn’t writing, Elizabeth Jane works as a librarian, teaches Welsh and blogs at elizabethjanecorbett.com. In her spare time, she also writes copy and reviews for the Historical Novels Review. In 2007, an early draft of her historical novel, Chrysalis, was shortlisted for a HarperCollins Varuna manuscript development award. In 2009, her short-story, Beyond the Blackout Curtain, won the Bristol Short Story Prize. Another story, Silent Night, was also shortlisted for the Allan Marshall Short Story Award. She is currently in the final stages of re-drafting her original historical novel. She expects to have it ready for submission by the middle of the year.
The multi-talented Claire Saxby is hard to catch. She’s busy, busy with three new picture books in production and the author of the stunning Big Red and gorgeous Sea Dog. Claire writes fiction, non-fiction and poetry for children. She has published picture books and chapter books, short stories and articles. Her poetry appears in magazines, anthologies, on train walls and in museum resources. Claire lives in Melbourne and loves it, despite what anyone says about the weather.
Claire’s most recent picture books are ‘Meet the ANZACS’ illustrated by Max Berry (Random House), ‘Big Red Kangaroo’ illustrated by Graham Byrne (Walker Books) and ‘Seadog’, illustrated by Tom Jellett (Random House) which won the Speech Pathology Award for Young Children in 2013. You can learn more about Claire on her website.
Lastly I’ve stretched all the way to QLD to tag the beautiful and very talented, Kathryn Apel. I met Kat through Month of Poetry, which she runs and coordinates each year. Kat was born and bred a farm girl – but she’s still scared of cows! Kat lives amongst the gum trees, kangaroos and cattle, on a grazing property in Queensland. Her chapter book, ‘Fencing with Fear’ is part of the Aussie! Read! series, and her rural rhyming picture book, ‘This is the Mud!’ has been read by Justine on ABC PlaySchool. Kat’s verse novel for younger readers, ‘Bully on the Bus’ will be released in July, with UQP. Prior to publication it won the published author’s manuscript section of the 2012 CYA Competition.
Kathryn co-ordinates Month of Poetry each January, and has had poetry published in magazines and on CD in Australia and New Zealand.
You can read more about her work at katswhiskers.wordpress.com